Feeling Good, Finally? Nina Simone’s Rock and Roll Hall of Fame Induction Is a Bittersweet Victory

Nina Simone in 1990 (David Redfern/Redferns via Getty Images)
Nina Simone in 1990 (David Redfern/Redferns via Getty Images)

In the world of women in music, there are queens, princesses, first ladies and even a duchess—but there has only ever been one high priestess of soul: Nina Simone.

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The Rock and Roll Hall of Fame announced today that Nina Simone will be among 2018’s group of inductees—which includes rock bands Bon Jovi, Dire Straits, the Moody Blues and the Cars. This year’s induction will also include a fellow black female trailblazer and revolutionary: guitarist and singer Sister Rosetta Tharpe—often known as the “godmother of rock and roll”—who arguably invented the medium and yet has also been embarrassingly absent from the annual honors.

We wish we could say we were surprised at the continued omission and undervaluing of black women—even women as indisputably influential as Tharpe—from mainstream spaces and accolades. But the beat goes on, we guess.

But for the legions of fans of Nina Simone, who enjoyed international fame throughout her nearly half-century career before she died in 2003, this honor is decades overdue. The singer, songwriter and virtuoso pianist has been eligible since 1986; during her lifetime, her tremendous talent was often overlooked and rejected because of her race, skin color, gender, and activism; as well as the beauty standards of the era.

And as the 2015 Netflix documentary What Happened, Miss Simone? revealed, Simone also struggled with mental health issues, quite possibly as a result of the disrespect she endured in both her personal and professional lives, let alone the trauma of being an activist throughout Jim Crow and the civil rights era. The statement issued by the Rock and Roll Hall of Fame seems to diminish this trauma, inadvertently casting the singer—who was equally known for her plaintive love ballads as for her protest songs—as the prototypical “angry black woman.”

Nina Simone’s unapologetic rage and accusatory voice named names and took no prisoners in the African-American struggle for equality in the early 1960s. Her triumphant voice sang what it meant to be young, gifted and black in a sometimes unjust and troubled world.

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As Splinter’s Isha Aran notes, “the use of ‘accusatory’ seems strange and reductive, implying that her anger wasn’t justified or warranted, in a way that undermines the power of her music. ... It also overlooks the wide variety of music she created.”

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Overdue or not, we’re glad the Rock and Roll Hall of Fame is finally catching up and elevating not one, but two of our musical icons to the place in history they deserve. But as with too many greats who receive their due recognition too late, we really wish they were alive to see it.

Maiysha Kai is managing editor of The Glow Up, host of The Root Presents: It's Lit! podcast and Big Beauty Tuesdays, and your average Grammy-nominated goddess next door. May I borrow some sugar?

DISCUSSION

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Jazzfoya

This is my annual the pathetic RRHF ignores Black artist tirade. Look at the deserving Black artist & groups who are not in the RRHF, many of them haven’t even been nominated. The Meters, Rufus, Ohio Players, Commodores, Kool and the Gang, Mandrill, Barkays, Barry White, Teddy P, Dionne Warwick ( the second biggest selling female artist of the 60s), Chic, Whitney Houston, Anita Baker, Luther Vandross, Cameo, MAZE, War, Delfonics, Stylistics, New Birth, Dramatics, LeBelle (Patti LaBelle), War, Mary Wells, The Emotions, Natalie Cole (this one personally pisses me off), Pointer Sisters, Johnny Taylor, Fifth Dimension, Rick James, Herbie Hancock, George Benson, Al Jarreau..this is just off the top of my head. I know I’m forgetting others that should be in. The snub even extends to R&B influenced rock acts like the Doobie Brothers and Three Dog Night...As I said....pathetic!