For a few peaceful days in February, the city of Goma, in Democratic Republic of the Congo, was filled with the sounds of music rather than the cries of war. Despite ongoing problems between their respective countries, thousands of people from neighboring Rwanda and Burundi descended on the DRC for the regionโs first multinational music and dance festival. The theme of the Amani Festival was peaceโamaniโs literal meaning in Swahili. Significantly, the festival was held in Goma, a city thatโs better-known as a violence-torn epicenter of Congolese conflict than for its vibrant music scene.
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Bright-blue Amani Festival banners, proudly advertising the slogan โPlaying for changeโsinging for peace,โ hung across the various booths and in front of the stage. A giant blue-and-white arch made of balloons marked the entrance to the concert area, which contained an enormous stage featuring performers ranging from rappers to dancers to Burundian drummers. Five thousand people from across the region attended on the first day, and that number continued to rise during the three-day-long festival.
Only six months earlier, the Amani Festival had seemed doomed. It wasย originally scheduled for last August, but organizers were forced to cancel the festival just days before opening night, after a rocket attack incited renewed violence in Goma. A subsequent peace treaty, brokered last December between the DRC and the Rwandan-backed M23 rebels, has quelled regional violence. However, for Goma, which sits on the Rwandan border, recent incidents are part of a nearly two-decade-long regional struggle marked by a cycle of peace deals and renewed conflict.
โWhat we can say about the future of Gomaโnot only Goma but the whole of DRC and the whole regionโis that we have to be united and we are stronger together,โ said Jean Claude โJ.C.โ Wenga, one of the festivalโs primary organizers. โIf we keep working for unity and speaking the same language, we will build a peaceful society and write a new history together.โ
The festival amplified the voice and vision of a rising new generation, with a new approach to fighting for their future. For the young performers, organizers and supporters of the Amani Festival, achieving โpeaceโ meant achieving unity and reconciliation between the people of the Great Lakes region.
Maraben, one of the Congolese performers, advocated forgiveness and focus on the future. โItโs a matter of changing mentalities,โ he explained. โLetโs drop all those old opinions and ways of thinking and letโs turn towards the light in front of us. Weโve been in the dark for too long. Itโs a new day now with its sunrise. We only need to come together and work hand in hand for a change.โ
But achieving unity and peace in this region is often nebulous, complicated and impersonal. Peace processes in Africa most often begin with conferences of opposing leaders who meet in major cities to negotiate a settlementย (pdf) brokered by prominent third-party individuals. In some cases, a justice or reconciliation process follows these agreements. Very often, these negotiated settlements fail to last, and as has happened time and again in the DRC, before long conflict re-emerges.
Young peopleโoften displaced, recruited to fight or orphanedโsuffer greatly in these conflicts,ย but rarely, if ever, do they figure significantly in the peace. They are disempowered and sidelined. The Amani Festival indicates the coming together and rise of a new generation, not content to sit quietly in the background, but willing to fight with a new energy for peace on their terms and according to their vision.
Maraben spoke passionately of his commitment to a new future for the DRC. โA lot of people think that to succeed, you have to go to Europe or the United States because they think thatโs where life is more beautiful, more easy. But for me, I will not leave. To succeed is to succeed here, at home.โ
The enthusiasm surrounding the festival was contagious, the sentiments inspiring. But after the final act had finished, the setup was dismantled and all of the people had left, United Nations peacekeepers, who provided security at Amani, still patrolled Goma in force, and the white Land Cruisers of the conflict-related nongovernmental organizations were ubiquitous.
The lingering question voiced by some is, did the Amani Festival succeed in its goal of bringing peace to the region?
Wenga is optimistic about the future and the impact of the festival. โWe observe gradually a spirit of brotherhood reborn, but then it is a continuous process,โ he explained. โWe strongly believe unity and coming together bring peace. Through the festival, the exchanges, peace messages in music and dance, we know that sooner or later it will be different. Goma will be seen as an artistic and peaceful city. I am personally convinced that it is still possible to build a society of peace.โ
Rebecca Rattnerย is a freelance writer and independent consultant based in East Africa whose work focuses on human rights and governance issues in the region.
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