Another legend has left our midst as Lena Horne passes away at 92. Her career accomplishments are staggering and the New York Times' obituary on her is a tremendous read. Below is an excerpt:
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Ms. Horne might have become a major movie star, but she was born 50 years too early, and languished at MGM in the 1940s because of the color of her skin, although she was so light-skinned that, when she was a child, other black children had taunted her, accusing her of having a โwhite daddy.โ
Ms. Horne was stuffed into one โall-starโ musical after another โ โThousands Cheerโ (1943), โBroadway Rhythmโ (1944), โTwo Girls and a Sailorโ (1944), โZiegfeld Folliesโ (1946), โWords and Musicโ (1948) โ to sing a song or two that could easily be snipped from the movie when it played in the South, where the idea of an African-American performer in anything but a subservient role in a movie with an otherwise all-white cast was unthinkable.
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In 1945 the critic and screenwriter Frank Nugent wrote in Liberty magazine that Ms. Horne was โthe nationโs top Negro entertainer.โ In addition to her MGM salary of $1,000 a week, she was earning $1,500 for every radio appearance and $6,500 a week when she played nightclubs. She was also popular with servicemen, white and black, during World War II, appearing more than a dozen times on the Army radio program โCommand Performance.โ
โThe whole thing that made me a star was the war,โ Ms. Horne said in the 1990 interview. โOf course the black guys couldnโt put Betty Grableโs picture in their footlockers. But they could put mine.โ
Touring Army camps for the U.S.O., Ms. Horne was outspoken in her criticism of the way black soldiers were treated. โSo the U.S.O. got mad,โ she recalled. โAnd they said, โYouโre not going to be allowed to go anyplace anymore under our auspices.โ So from then on I was labeled a bad little Red girl.โ
Again, the entire obit is a compelling read but the last paragraph is certainly the best
Looking back at the age of 80, Ms. Horne said: โMy identity is very clear to me now. I am a black woman. Iโm free. I no longer have to be a โcredit.โ I donโt have to be a symbol to anybody; I donโt have to be a first to anybody. I donโt have to be an imitation of a white woman that Hollywood sort of hoped Iโd become. Iโm me, and Iโm like nobody else.โ
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