Africa Redux

Every few years, people in the fashion industry rediscover Africa. Like mini-skirts and ripped jeans, African textiles reappear on the runways of New York and Europe and their revival is duly noted. Fashion is cyclical like that and I have no problems with the media taking note. That's what I do for a living after…

Every few years, people in the fashion industry rediscover Africa. Like mini-skirts and ripped jeans, African textiles reappear on the runways of New York and Europe and their revival is duly noted. Fashion is cyclical like that and I have no problems with the media taking note. That's what I do for a living after all; musing about trends is what keeps the kibble in my doggie's dish. But what distresses me about stories, such as the one that recently turned up in the New York Times, is the way that Africanย aestheticsย are consistenly viewed throughย theย dual lenses of race and politics. It always has to mean something when peopleโ€”black or white or brown or yellowโ€”decide to incorporate African textiles into their wardrobe, for instance.ย Today those decisions now serve as evidence of how far weย have come in our race relations or how everyone feels connected to Africa orย how Africa is romantic or non-commercial or some such.

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I long for the day when the explanation for embracing African aesthetics is simple and wholly mundane: They're pretty.

It will be a fineย day whenย theย decision to mixย Nigerian fabrics with gray flannel is no longer treated likeย fashion's equivalent of a United Nations treaty.

That kind of nonchalant reaction won't lesson theย rich history of African style and it won't diminish its beauty. But it will mean that at long last African aestheticsย won't be treated as a curious "other" whose emergence in the mainstream not only has to be acknowledged but dissected. The implication of that parsing? There has to be some complicated reason why African textiles are popular; it can't be merely because they are attractive, because that would mean our definition of beauty has been limited, misguided or just plain wrong.

The best designers who are inspired by Africa take advantage of theย continent's textiles with the sameย easeย other designersย have withย Swiss lace, Irish wool or Chinese silk. Africa's beauty can be embraced by anyone.ย And that shouldn'tย come as a surprise.

โ€”ROBIN GIVHAN

Straight From The Root

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