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The 10 Best Hip-Hop Tracks of 2020

The need to stay the hell apart from humans this year resulted in a sweeping halt on the production of movies, television shows and the like. It also means no festivals, concerts or trips to the silver screen. Fortunately, making music doesnโ€™t require a mess of people congregatingโ€”especially if you have skills with instruments and…

The need to stay the hell apart from humans this year resulted in a sweeping halt on the production of movies, television shows and the like. It also means no festivals, concerts or trips to the silver screen. Fortunately, making music doesnโ€™t require a mess of people congregatingโ€”especially if you have skills with instruments and your own accoutrements-laden studioโ€”so we still got a steady stream of tunes while trapped in the crib.

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Trump’s Tariffs Might Stick Around. What Should We Buy Now?
Trump’s Tariffs Might Stick Around. What Should We Buy Now?

Unfortunately, 2020 wasnโ€™t the strongest year for hip-hop, which could be a reflection of the fact that rappers donโ€™t do well with creating music under such severe financial and psychological duress. (In contrast, navel-gazing indie rock had a pretty damn good year.) I blame it entirely on the zeitgeist, but I struggle to think of one truly amazing rap album in 2020, which certainly wasnโ€™t the case for its preceding year. I briefly skimmed projects from the โ€œBabyโ€ rappers since they dominated the mainstream in 2020, only to be met with the expected mind-numbing triplicate flows that my about-to-turn-40 ears simply cannot abide. If youโ€™re reading this, thereโ€™s a decent chance you feel similarly and wonโ€™t come at my neck for the absence of that piffle from this list.

Rap had inarguably the biggest and maybe most cathartic song of 2020 with Cardi B and Megan Thee Stallionโ€™s โ€œWAP.โ€ But even that classic โ€œWhores in This Houseโ€ sample and an extremely, um, compelling video couldnโ€™t elevate the song to โ€œgood.โ€ Catchy perhaps, but not good. Iโ€™m certainly less enthusiastic overall about hip-hop in 2020 than I was the last couple years, but no year passes without some gems that will stand the test of time. Here are 10 dope tracks from a year that weโ€™re all ready to have Agent K zap from our memories.

โ€œYou Gonโ€™ Learn,โ€ Eminem (feat. Royce Da 5โ€™9โ€ & White Gold)

https://www.youtube.com/watch?v=RnNJ7uVR7hM

Emโ€™s 11th album Music to Be Murdered By (which just received a full-ass album as a โ€œB-Sideโ€ in-between drafts of this piece) is his top-to-bottom best in years. This track belongs to Royceโ€“the better half of Bad Meets Evilโ€“because of his production and what, for my money, might be the verse of the year. Royce also produced the entirety of his own 2020 album The Allegory, which is also worth a listen.

โ€œUniversal Soldier,โ€ Jay Electronica (feat. Jay-Z)

https://www.youtube.com/watch?v=QKz1hUDgiw8

Jay Elec-Yarmulkeโ€™s surprise drop at the very beginning of our national quarantine excited quite a few heads who werenโ€™t already over his constant debut album delay shenanigans. A Written Testimony is a too-short-for-the-wait joint album with Jay-Z, who apparently adores Elec enough to play Ghostface Killah to his Raekwon on Only Built 4 Cuban Linx. โ€œUniversal Soldierโ€ employs a slow, haunting S. Maharba sample that Hov would likely never have picked for his own album, yet on which he sounds surprisingly at home.

ย โ€œHunnid,โ€ Asher Roth (feat. Joyce Wrice)

https://www.youtube.com/watch?v=5AOEaXysfdg

Roth has occupied an interesting space in hip-hop since debuting in 2009 as sort of an Eminem-goes-to-college. Heโ€™s a capable, respectable white-boy spitter in the way the late Mac Miller was, the way Jack Harlow is becoming, and the way Russ will likely never be. Thing is, you sort of have to go looking for a new Roth projectโ€”itโ€™s unlikely to be blasting in a club or someone elseโ€™s ride. However, every album of mixtape of his has something worth listening to, and 2020โ€™s Flowers on the Weekend is no exception: As I still bump it almost daily more than seven months after its release, โ€œHunnidโ€ might be the most enduring song on this playlist.

ย โ€œAmazing Pt. 3,โ€ Dave East

https://www.youtube.com/watch?v=xcT2t1cbY4Q

Dave East is a relentless spitter with the sex appeal to boot, much like his spiritual predecessor Method Man, whom Dave portrays on Huluโ€™s โ€œWu-Tang: An American Sagaโ€; he keeps the ladies entertained while impressing the men with a dexterous flow and compelling monotone. Never is he better than on his own EastMix series, for which he raps over other folksโ€™ beats or gets official on his own loosies. This EastMix cut is more than five minutes long with no hook, and is superior to anything on his mediocre Karma 3 studio album from this year.

ย โ€œFull Circle,โ€ Nas (feat. AZ, Cormega, Foxy Brown and Dr. Dre)

https://www.youtube.com/watch?v=EOm0896a68Y

Nas received more accolades for his 13th album Kingโ€™s Disease than he has for any music in a good while. (Lots of folks would rather forget about Kingโ€™s Kanye West-produced predecessor NASIR.) The Hit Boy-produced album didnโ€™t do much for me, but it was delightful to hear the reunion of the original Firm (Natureโ€™s T-Mobile was apparently cut off and he didnโ€™t get a text about the meet-up), especially the first new Foxy verse Iโ€™ve listened to since we had a Bush in the White House. I never thought Iโ€™d desire another Firm album in 2020, but stranger things have happened this year.

ย โ€œLucky Me,โ€ Big Sean

https://www.youtube.com/watch?v=d6yQup6QJQA

Itโ€™s in my constitution to root for Sean, a fellow Detroit boy who graduated from my high school alma mater and seems to be an overall likable dude. However, the sad truth is, heโ€™s never crafted a truly memorable body of work, keeping him out of the air of his contemporaries Drake, Kendrick Lamar and J. Cole. His fifth album, Detroit 2, while not a classic, is Sean at his most focused Iโ€™ve heard him in his career. The Hit-Boy-produced โ€œLucky Me,โ€ on which Sean does what rappers do and boasts about how great shit has been going for him, has the best beat/flow switch Iโ€™ve heard from any artist in a while.

ย โ€œBlack Windows,โ€ Nick Grant

https://www.youtube.com/watch?v=h3OJkTrH_5o

Grant is hanging out with the likes of Saigon and CyHi Da Prynce (and, well, Jay Electronica) in that tragic stable of rappers with the potential for greatness who, for reasons unknown to the listening public, failed to capitalize on their own buzz and didnโ€™t put out music at the clip they shouldโ€™ve. Just the same, Iโ€™ve checked for everything Grant has done since his amazing 2016 mixtape, โ€™88. His first two studio albums didnโ€™t quite live up to the promise of โ€™88, but his 2020 EP God Bless the Child with Los Angeles producer Tae Beast is nigh perfect and stands as a reminder that one can be a true spitter while not putting out music that sounds anachronistic or droning on about how โ€œweโ€™re bringing the 90s backโ€ or some such other goofy shit.

ย โ€œHold My Hand,โ€ Athletic Mic League

https://www.youtube.com/watch?v=tJDTd-UMSMk

AML, a Michigan-based boom-bap group active in the era when Rawkus Records was still a thing, reunited this year after more than a decade and a half apart. The most famous members of the nine-piece group are Grammy-nominated crooner Mayer Hawthorne and rapper-producer 14KT, who has cut tracks for Bun B and Jay Electronica, and who crafted this beautiful dusty-soul-sampled cut.

โ€œLaugh Now Cry Later,โ€ Drake (feat. Lilโ€™ Durk)ย 

https://www.youtube.com/watch?v=JFm7YDVlqnI

My guilty-pleasure pick (thereโ€™s always one). The video got attention for coming across like a huge NFL ad full of beloved Black athletes at a time when the NFL needed as much grace from niggas as it could find. But thereโ€™s something infectious about this damn beat, and โ€œSometimes we laugh sometimes we cry and you know nowโ€ฆ.babyโ€ is way more catchy than it has any right to be. I guess thatโ€™s why Drizzy is arguably the worldโ€™s most popular living rapper. Hell, even Bill Murray is in on it.

โ€œSoul Food II,โ€ Logic

https://www.youtube.com/watch?v=RGscCU-oEiE

The wavy young brother from the DMV called himself โ€œretiringโ€ from rapping this year, which everyone knows to take as seriously as twitter.com/realdonaldtrump. He left us with No Pressure, which seems to be a spiritual sequel to his 2014 debut Under Pressure. The original โ€œSoul Foodโ€ was one of the best from that album, and the sequel employs the same beat with some flourishes and a different beat change. Say what you will about this kid โ€“ and many have a lot of shit to talk โ€“ but he can out-trap damn near anyone, and no one can take that away from him. Now, we wait for Logicโ€™s Kingdom Come-esque โ€œcomebackโ€ album.

Straight From The Root

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