Send Help: Can Somebody Get Melania Trump and Her Pith Helmet Out of Africa?

Could someone please tell Melania Trump that she is not Meryl Streep in Out of Africa, is not modeling for an old-school Banana Republic campaign, has no hopes of being rescued from her misery by Indiana Jones and can therefore chill with the โ€œsafari chicโ€? Suggested Reading The Real Tea Behind Tina Knowles, Mathew Divorce…

Could someone please tell Melania Trump that she is not Meryl Streep in Out of Africa, is not modeling for an old-school Banana Republic campaign, has no hopes of being rescued from her misery by Indiana Jones and can therefore chill with the โ€œsafari chicโ€?

Video will return here when scrolled back into view
Trump’s Tariffs Might Stick Around. What Should We Buy Now?
Trump’s Tariffs Might Stick Around. What Should We Buy Now?

Further proving her mental disconnect from what her insufferable husband charmingly referred to as โ€œshithole countries,โ€ Melania has seemingly opted to turn her white savior solo tour of Africa into her own runway show of colonialist couture. Jodphurs, safari-inspired jackets and dresses, and on Friday, the piรจce de rรฉsistance, a frigginโ€™ snow-white pith helmet, have all made appearances during Trumpโ€™s tour, raising eyebrows while subtly undermining her supposed humanitarian efforts.

If youโ€™re wondering why her wardrobe has been borderline offensive, consider this little bit of history, as reported by Quartzy:

Pith helmetsโ€”also known as topees, according to The Fairchild Dictionary of Fashionโ€”were originally made from a cork-like material called sholapith and designed to provide protection from the sun while allowing for ventilation. But the pith helmetโ€™s historical legacy goes beyond European cork varietals. The headgear was standard-issue for 19th century British officers in India and Africa, making it a potent symbol of colonial rule. Theyโ€™ve long since been abandoned, making them nearly cartoonish in their connotations today (or actually cartoonish: when TinTin went to Congo in 1931, he wore a pith helmet). ...

All of these totems of western pop cultureโ€”Banana Republicโ€™s โ€œsafari craze,โ€ Ralph Laurenโ€™s well-appointed tents, Peter Beardโ€™s fashion shoots, Karen Blixenโ€™s Out of Africaโ€”are problematic because they exoticize and generalize the people and places surrounding their white subjects.

You donโ€™t say?

Not that weโ€™d really expect any better optics from the woman who infamously wore a jacket reading โ€œI Really Donโ€™t Care, Do You?โ€ to meet refugees and stilettos to greet hurricane victims. What should she have worn, you ask? Maybe something that doesnโ€™t remind us that sheโ€™d rather be gazing down at all of us from her gold-plated penthouse.

Straight From The Root

Sign up for our free daily newsletter.