“I see how these women have to carry the weight of their fallen sisters around with them daily, knowing that they were senselessly murdered for being brave enough to be who they truly are, yet continue to make positive changes rather than hide,” Alix said in a press release. “As we see trans women only begin to be respected and upheld in mainstream culture, we must remember those who helped pave the way just by being themselves, and paid the ultimate price.”

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The video shows all three artists holding the images of slain Black trans women, women like Muhlaysia Booker, Antash’a English, Chynal Lindsey and Riah Milton. Each image, each news clip, a reminder of their own vulnerability.

“The video either directly or indirectly addresses the lives of trans people of color, who are still today affected by an incredible amount of grief. It truly is life imitating art,” said Peppermint.

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Making the video—and focusing on the resilience and support that could be found within the community—also offered a respite.

“As heavy as this is on my heart, being able to gather with friends and fellow artists to create this meaningful video feels wonderful,” she added.

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Despite the trans community’s deep engagement in liberation struggles, they still remain sidelined in broader justice movements, like the queer rights movement of the early 1970s and the nation’s ongoing movement for racial justice.

“The marginalization of trans people is not an accident. Rather it is a consequence of a choice,” noted Jones. She points to how trans people helped start the fight for gay rights, but were later pushed to the side by white gay men because trans people of color were viewed as less “acceptable” to wider society, and “were therefore an impediment to gay rights.”

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This exclusionary idea of acceptability has pushed trans activists to the side in Black communities and mainstream Black civil rights organizations as well, Jones continues.

“This deliberate marginalization across the board is why trans people face incredible odds” and have not benefited equally from these movements, she said.

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And it’s not just trans people who suffer as a result of this. A foundational philosophy of intersectional justice is that uplifting and empowering the most vulnerable among us creates a more just, equitable system for all of us. Jones points to healthcare as a prime example.

Trans people are especially susceptible to medical bias, and potential social isolation and lack of resources mean access to adequate care is difficult. A healthcare approach that focuses on trans people would need to address issues of universal access, Jones says, and would have to be more comprehensive and holistic than we’re accustomed to. There would need to be an increased emphasis on social services and safe housing, as well as a more aggressive approach to curtailing implicit bias, which can not only lead to injury and death but discourage people from ever stepping back into a doctor’s office until it’s too late.

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“If we built a healthcare system which centered the health outcomes of trans people then it would be a healthcare system which works for everyone,” Jones said.

Perhaps most importantly, Trans Awareness Week and Trans Remembrance Day give the community the opportunity to foreground their stories; to remind people of the human cost of not viewing trans rights as human rights. What America needs to empower and protect trans people is devastatingly simple, Jones pointed out—it’s just “the ability to see us as humans.”

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This is why Jones centers storytelling as her way of combating violence.

“Stories are the way in which we travel into the lives of other people,” she said. “They help us to connect our own experience with the experiences of others, and they highlight our universal desire to matter. Once we understand our common humanity it becomes much harder to harm each other.”