Drumline Director, Producer Said They Had to Create a White Character to Get Enough Money to Make the Movie

Drumline screenshot
Drumline screenshot

The movie Drumline turned 15 years old this year—which, of course, is another signal that you’re getting old as hell. The film, which stars Nick Cannon, became iconic for its portrayal of the band at the fictional HBCU Atlanta A&T.


The Undefeated recently did an oral history of the movie that reveals so many unknown facts about the making of the feature film, but one of the most interesting parts of the piece was director Charles Stone III’s revelation that the movie studio insisted on having a white character to make the black movie about a black band at a black college for a black audience.

The studio said that they needed a white character to market the movie. According to Dallas Austin, the movie’s executive producer, a honcho at 20th Century Fox called and told him, “Dallas, we don’t know how to say this, but put white people in the movie.” The executive explained, “We want somebody in the band. … We have to have a character because now it’s turning into a black movie.”

Stone backed up the claim:

The studio wanted a white character in the midst of this ensemble of color in order to support or give us the amount of money we wanted. We needed $20 million to make it. They were offering us $15 million.

... In order for me to get the additional $5 million, I had to create a white character.

Austin, who said that he had to “see how a white kid’s story would be inside of a black marching band without making it ridiculous,” went to Morris Brown College and discovered a white cymbal player who had grown up in Atlanta “down the street” and had always wanted to be in the band. Austin said that’s how they found a way to include the story of a white player in the script.

What does this mean? Is it another thing that shows—even in entertainment for and by black people—white people can’t stand being left out? Is this the embodiment of white privilege, that no space in the entertainment industry can exist without a Caucasian voice? Is it an indictment of the entertainment industry’s lack of faith that black moviegoers can carry a project?



I just thought it was interesting.

World-renowned wypipologist. Getter and doer of "it." Never reneged, never will. Last real negus alive.


Rooo sez BISH PLZ

Another thought on this that (some) dudes of color may not like.

If you keep all the women of color out of the director’s suite and the production and finance offices, and then complain that you can’t get your last $5 million to make the movie you want to make ...

you have no one to blame but yourselves.

We are bankers and attorneys and businesswomen as well as creatives. We have had to make a way out of no way for generations. Just like you have had to work twice as hard as the white dudes to get half as much, we have had to work at least four times as you have had to because we’re women as well. So maybe we know something about finances or leverage you haven’t thought of yet.

Whatever else you may think of him, Tyler Perry asked Oprah. He didn’t go to Peter Guber, or Don Bruckheimer, or Harvey Weinstein. And look what his empire looks like now (and you know she got her ROI).

So maybe ask us first next time.