get out

  • Assigning Value to Black Stories: Minority Art and the Racist Mountain

    Comedian, writer and filmmaker Jordan Peele recently offered the hope that the success of his low-budget but high-profit film, Get Out, would convince Hollywood producers that “black voices … tell good stories like anyone else.” It is, frankly, startling that after two centuries of the African-American presence in theater, film, television and music, black artists…

  • Get Out Becomes Biggest Domestic Hit Ever From a Black Director

    With only a $5 million budget, Jordan Peele’s blockbuster hit Get Out is now the highest-grossing domestic hit ever by a black filmmaker. So far the movie has made a whopping $162.8 million in North America, beating F. Gary Gray’s Straight Outta Compton. Scott Mendelson at Forbes broke down the top-earning movies by black filmmakers;…

  • Steve Harvey Is The St. Peter Of The Sunken Place

    Imagine, if you can, the sheer terror of watching yourself descend into The Sunken Place. Your body suspended in a perpetual state of hypnagogia. Your mind lucid enough to be conscious of the fright and the dread of what’s happening to your soul but too subdued — too horrifyingly and devastatingly paralytic — do to anything…

  • Get Yourself a Friend Like Rod: The Top 8 Ride-or-Die Friends on Black TV

    The movie Get Out will make you re-evaluate your life choices: whom you date, what kinds of dinner invitations from white people you’ll accept, and your friendships. Definitely your friendships. Because if there is one shining moment in the disturbing horror that is Get Out, it’s Chris’ ever-present, ever-woke, ever-common-sense-spouting best friend, Rod Williams of…

  • 21 Times in Get Out When Chris Should Have Gotten the Hell Out

    Although Jordan Peele’s brilliant (and now record-breaking) Get Out inverts classic horror tropes and societal expectations by making the “well-meaning” white people the bogeymen and the black dude the damsel in distress, its dramatic tension still relies on one thing you’ll find in pretty much every other horror film: the protagonist ignoring his gut and…

  • The 10 Most Dangerous Types Of Supposedly "Cool" White People

    While it goes without saying that there are some legitimately cool and sincere and empathetic White people out there (#notallwhitepeople — shout out to all the “White Mikes” and “White Kims“), there are also some supposedly “cool-ass” and “good” White folks we’d be wise to keep our eyes on; whose pervasive aintshitness is subtle, hidden…

  • Get Out’s Daniel Kaluuya on Samuel L. Jackson’s Comments: ‘I Resent That I Have to Prove I’m Black’

    Daniel Kaluuya has a few words for Samuel L. Jackson about being black. Last week Jackson questioned why Kaluuya, a British actor, was cast in Get Out, a movie that tackles race in the U.S., instead of an African-American actor, and said the role would have resonated more with an African-American actor. “Here’s the thing…

  • Kourtney Kardashian’s Get Out Tweet Didn’t Go Over Too Well

    Maybe Kourtney Kardashian saw Get Out, or maybe she was subtweeting Scott Disick to get out for the 100th time. But Twitter definitely felt that it was ironic for a Kardashian to tweet about a movie involving a black man and a crazy white family. Someone needs to do an intervention on Tristan Thompson before…

  • Samuel L. Jackson Wonders What Get Out Would Have Been Like With ‘an American Brother’ as Lead

    Samuel L. Jackson has some thoughts about black British actors securing American roles instead of African Americans, suggesting that perhaps black Americans could add some authenticity, especially when dealing with culturally specific things like America’s struggles with interracial relationships. During an interview Monday with Hot 97 while promoting his newest film, Kong: Skull Island, Jackson…

  • Watch: Funny or Die’s ‘Get Out (of the White House)’ Spoof

    Funny or Die’s “Get Out (of the White House)” has everything a horror movie should include: the Trumps, Kanye West and perfect editing. The spoof hilariously takes a look at the scary-ass White House and the black people who have been taken hostage (willingly, in the cases of Ben Carson and Omarosa). And then there’s…