Autumn has only just begun, but 2020 has already been a study in contrasts: Some of us have taken to the streets,…

As the COVID-19 epidemic has derailed all of our lives, it has done unimaginable damage to the live entertainment…

“I like things that subvert the audience’s expectations,” actor/director Wardell Julius Clark told The Root when…

Black art rarely emerges without controversy. Our creations are inherently political, specifically because this…

“The most transparent way is the truth.”

There is palpable energy prior to a theatrical production; a current of excitement that buzzes through an audience…

Big things were bubbling in Brooklyn two years ago.

For Colored Girls... first arrived on the scene in December of 1974—coincidentally, just a few months before I did.…

With the endless amount of political rhetoric currently in our orbit, it’s often easy to forget about the people…

Three years ago when Loy A. Webb crafted The Light, the burgeoning playwright had no idea where the world would be…

It’s impossible to talk about award-winning playwright Christina Anderson’s How to Catch Creation without talking…

Much to the chagrin of the many detractors who were in an uproar about last month’s world premiere of Slave Play,…

An elegantly appointed middle class living room in Minnesota, punctuated with poinsettias and a wreath to celebrate…

If you were a colored girl lucky enough (or “enuf,” as she might write) to grow up on the words and work of…

A community in the aftermath of unrest. The painful legacy of abuse, as experienced by black boys and men. The…

A war. A hero. A conflict. A journey.