Now Dig This! Black Artists in Los Angeles

Betye Saar. Black Girl’s Window, 1969. Assemblage in window. 35 3⁄4 x 18 x 1 1⁄2 in. (90.8 x 45.7 x 3.8 cm). Collection of the artist. Courtesy of Michael Rosenfeld Gallery, LLC, New York. Suggested Reading Here’s Everything We Know About Zendaya and Tom Holland’s ‘Wedding’ Why Endometriosis Keeps Getting Missed in Black Women…

Betye Saar. Black Girl’s Window, 1969. Assemblage in window. 35 3⁄4 x 18 x 1 1⁄2 in. (90.8 x 45.7 x 3.8 cm). Collection of the artist. Courtesy of Michael Rosenfeld Gallery, LLC, New York.

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Two alligators bang on a door at a Florida home and social media is going crazy

David Hammons. America the Beautiful, 1968. Lithograph and body print. 39 x 29 1⁄2 in. (99.1 x 74.9 cm). Oakland Museum, Oakland Museum Founders Fund.

Dale Brockman Davis. Swept, 1970. Mixed media. 30 x 40 x 6 in. (76.2 x 101.6 x 15.2 cm). Blocker Collection in care of Rick Blocker.

David Hammons, Bag Lady in Flight.

John Outterbridge. No Time for Jivin’, from the Containment Series, 1969. Mixed media. 56 x 60 in. (142.2 x 152.4 cm). Mills College Art Museum Collection. Purchased with funds from the Susan L. Mills Fund.

John Riddle. Ghetto Merchant, 1966. Mixed media. 41 x 18 1⁄4 in. (104.1 x 46.4 cm). Courtesy of Claude and Ann Booker, Los Angeles.

Noah Purifoy. Untitled (Assemblage), 1967. Mixed media. 66 x 39 x 8 in. (167.6 x 99.1 x 20.3 cm). Corcoran Gallery of Art, Washington, D.C. Museum Purchase, the William A. Clark Fund and Gift of Dr. Samella Lewis. 1993.3. © Courtesy of the Noah Purifoy Foundation.

Suzanne Jackson. Apparitional Visitations, 1973. Acrylic wash on canvas. 54 x 72 in. (137.2 x 182.9 cm). Collection of Vaughn C. Payne Jr., M.D.

Charles White. Love Letter #1, 1971. Lithograph with documents. 22 3⁄16 x 30 in. (56.4 x 76.2 cm). Private collection.

Straight From The Root

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