(This piece contains major spoilers. Beware.) Jordan Peele’s transcendent Get Out is the latest entry in black folks’ long-standing fascination with horror; beginning with our folklore (Zora Neale Hurston’s Every Tongue Got to Confess), early literature (Charles Chesnutt’s The Conjure Woman and Other Conjure Tales) and film (Oscar Micheaux’s A Son of Satan) as well as…