An excerpt from Touré's piece on the Daily Beast:
"I can’t help but think about Thriller’s massive socio-cultural impact. Rev. Al Sharpton referred to Michael as a pre-Obama Obama-esque figure in that he’s a black man who knows how to make millions of blacks and whites fall in love with him. He’s an integrationist, a racial unifier. He made two pop songs as overtly about race as anyone’s ever made: Ebony and Ivory with Paul McCartney and Black or White. He was a Motown guy, after all. But he left Berry Gordy’s house and went to CBS/Epic, a big-time label, to forge an adult solo career. CBS pushed his record as hard as they did their huge white stars and Off the Wall was a huge crossover success: young Michael was established as not an artist for black fans but an artist for everyone at a time when that was rare. Four years later, when Thriller came out it broke the radio color barrier: black and white stations played its singles until MTV, which had not previously played videos by black artists, had to play Michael. For a while they played Thriller every hour at the top of the hour. Back then he was MTV’s Jackie Robinson."
Read the full article here.
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Want to understand Michael's power? He died and MTV started playing videos again.