Prince's Protégées: Then and Now
Prince loves to play Svengali. But as the Purple One's first ladies of the '80s can attest, being a Prince disciple can be hazardous to your career.
-
The Glamorous LifeBack in the day, Prince wrapped himself in that whole fabulously mysterious Purple Majesty thing. If you came of age in the ‘80s, chances are that you wanted, above anything, to be a part of his crew. And usually being part of his crew meant being young, beautiful, female and racially ambiguous.
Percussionist Sheila E was all of those things. But she also had something else going for her: She could play. Prince helped her record her first solo album, "The Glamorous Life," which brought her glamor -- and multiple Grammy nominations.
-
Sex CymbalJason Merritt/Getty ImagesOnce Prince moved onto other protégées --the Purple One bored easily-- Nicole Richie's aunt continued to have a thriving music career, jamming with everyone from Tito Puente to Placido Domingo to Patti LaBelle. This year, she won Grand Prize on CMT's hit show, "Gone Country 3." She's found religion, too. Goes with the territory. Even Prince thinks his old songs were too nasty--now he's a Seventh Day Adventist.
-
Prince's Revolution-ary DuoIn the '80s, Prince's backup band was "The Revolution"; Wendy Melvoin and Lisa Coleman, aka Wendy & Lisa, were an integral part of the action. In his music videos, Prince surrounded them with a lesbian chic vibe; back then, he was all about titillating and playing with androgyny. But they were serious musicians in their own right--Lisa, keyboards; Wendy on guitar. That didn't stop Prince from kicking them to the curb in '86, disbanding "The Revolution," arguably the best funk/rock band of the '80s. "It felt more like he had used up all he needed from us and he was going on to something else," Wendy said in a 2009 interview.
-
A Heroic Second ActMarsaili McGrath/Getty Images"A lot of people take meetings with us and the whole meeting will be, "What was Prince like? What is he doing now?'" Lisa (left) says in an interview with Out.com, "So it opens a lot of doors, but it doesn't fill the room with anything substantial to do with us." These days, the musical duo can be found in the studio, scoring the music for the NBC TV sci-fi hit series, "Heroes."
And there's this: Turns out that whole lesbian chic thing was rooted in reality. Earlier this year, Wendy & Lisa "came out" as a couple -- after the fact. "Our marriage ended," Lisa says. "But our soul relationship will never end."
-
Nasty Girl
There was a time when we really, really wanted to be Vanity. She was gorgeous--and she got to hang out with Prince. So what if she couldn't sing? That didn't stop "Nasty Girl," her seriously raunchy single with girl group Vanity 6, from topping the charts in '82. Before Madonna made the bustier a fashion statement, Vanity--AKA Denise Matthews--was rocking the lingerie. Wannabe nasty girls started teasing their hair and sneaking out the house in their underwear.
-
A Star Re-BornTBN.orgLife post-Prince wasn't easy for Vanity. She left Vanity 6 in '84, trying for a solo career that never took off. She starred in a series of B-movies ("The Last Dragon") and became heavily addicted to crack. Now born-again, she's a committed evangelist who testfies about her former sin-filled life. Last year, she self-published her tell-all memoir, "Blame It On Vanity."
-
Girl 6When Vanity abruptly left Prince's camp, Vanity 6 became Apollonia 6, with Patrica "Apollonia" Kotero filling Denise Matthews' stilettoes. Apollonia made her (topless) film debut in Prince's Oscar-winning 1984 film, "Purple Rain." But her album, "Sex Shooter," never caught on in the same way that "Nasty Girl" did. Probably because the music -- how shall we say it? -- sucked. Apollonia 6 disbanded in 1985.
-
She Had The LookPre-Prince, Sheena Easton was a singer in her own right, winning a Grammy for Best New Artist Artist in 1981. But under Prince's tutelage, the squeaky clean Scot embraced her inner slut. In 1984, she released "Sugar Walls," an ode to her lady parts, a single written and produced by Alexander Nevermind. (That would be Prince.) The pair sang together in the 1987 hit, "U Got the Look."
-
Broadway BabyJason Merritt/Getty ImagesLike most Prince divas, Easton didn't sparkle as brightly after she left Prince's court. She starred briefly in the '80s TV blockbuster, "Miami Vice"; her character was killed off. She hasn't had a chart hit since 1991. Broadway beckoned in the '90s, and she appeared in a 1998 revival of "Man Of La Mancha." Now 50, she's a four-times divorcee and a mother of two. (Why is it that so many of Prince's ladies take to sporting giant crosses?)



Comments
I was a freshman in college during the height of Prince and the Revolution's Purple Rain reign, and I couldn't get enough. I had many of Prince's previous albums (yes, vinyl), but the autobiographical nature of the "story" behind Purple Rain and the audacious music helped one forgive the bad acting...I just wanted to see Prince. The Revolution was a good band, but they were never the main attraction; same with Prince's long line of leading lady engenues. If they could make a name for themselves, great, they had the exposure, oppurtunity, and Prince at the top of their resume; the rest was up to them. Although I still love Prince's music, I can't help but look back wistfully on the raunchy days of "Little Red Corvette" or "Do Me, Baby", and also for the man who I first watched on The Midnight Special when I was just a kid...he wasn't wearing much, had a nicely done press & curl, and was playing some groovy, naughty music. I was hooked. I can't say the same for any of Prince's musical proteges (the only notable exception being Sheila E crush the drums while simultaneously looking, and singing about being, glamorous).
I think Sheila E.'s success was also part of her own fathers doing. The great Pete Escobedo trained his children to follow his lead and she had been playing those congas since she was very young. Her father and her uncle "Coke" played with Carlos Santana in the early days and I remember them ( The Escobedos) playing in and around the S.F. bay area as a teenager , even at my high school in east San Jose California for a Cinco De Mayo fiesta. Sheila's mom is a Black woman and her father is Latino. I just saw them at a jazz festival a couple of weeks ago , but not Sheila.
Prince helped and hurt a lot of people back in the day ! I suspect the only female that had any success was Sheila E. ! Vanity, Wendy, Lisa, Jill Jones (Teena Marie's cousin), Sheena Easton, and Appolonia all disappeared ! Of the males I guess Terry Lewis, Jimmy Jam, Morris Day and Jesse Johnson were probably the most successful after ties with Prince were broke off. Andre Cymone, Brownmark and Dez Dickerson all fell off after they left Prince ! I remember all of them back in the day ! The Time, The Family, Mad House, Vanity/Appolonia 6 etc etc !
Those were the good ol days ! LOL !
Prince had tons of musicians he brought on either as side projects or members of his band and most of them have had marginal success.at best with the exception of Jimmy Jam and Terry Lewis. Even Morris Day had very limited success after leaving the Prince fold and is playing oldies reunion show things at 2nd rate venues this summer. What about Andre Cymone, Dez Dickerson, Brown Mark, Bobby Z, Dr. Fink, The Family, Mazarati, and all the other members of the Time and his bands that followed? They had their day and i'm sure continue to benefit from their noteriety from being associted with one of the most prolific and talented artists of his generation. (His latest CD is very good, by the way.) He's not responsible for what happens after they move on. WikiPedia is full of folks that had marginal music careers. Who's fault is that?
Interesting article but there are a lot of other "stars" out there who have worked with "one hit wonders" and then moved on with their own careers after setting them up with wings to fly with. Why single out Prince, this man is a very gifted and wonderful musician - just leave him alone. Now that MJ is deceased are you looking for another scapegoat to find fault with?
It seems to me that Prince gave some marginally talented ladies and opportunity to become stars, and they didn't have the goods to STAY stars on their own. Sheila E (who was also the music director for Magic Johnson's short lived "The Magic Show") IS talented, but simply isn't a star. She's worked steadily, and has respect from industry insiders, which is MORE important. As the article stated, Sheena Easton had an established career before Prince, but Prince was able to take her to another level. Then she simply went back to what she was before. No harm done. Wendy & Lisa ARE talented musicians also, but are just that - musicians, not stars. They got a moment in the sun they might never gotten if not for Prince. Wendy's twin sister, Susanna, got a little love from the Purple One too. I think there was always some tension between them and Prince because he didn't value their input musically as much as they would have liked - they were more employees than collaborators (this was touched on in "Purple Rain" which was largely autobiographical). Again, they've worked steadily behind the scenes, but if they had that something to be stars they would have emerged on their own.
As for Vanity and Apollonia, they were just marginally talented HOT women that Prince brought on board to enhance his projects. It isn't his fault they couldn't maintain real careers on their own. It also isn't unusual for stars/band leaders to disband and assemble new backing musicians when they want to change musical direction. Heck, Bruce Springsteen broke up the E-Street Band for a while, and they had more history together than the Revolution! The band members all did their own thing for a while (Nils Lofgren did his own album and wrote, Little Stevie was on "The Sopranos," and Max Weinberg was the band leader on Conan O'Brien's show), then when the time was right, Bruce brought them back together. I don't agree with the tone of the article in that it almost BLAMES Prince, or accuses him of USING and spitting out these women. That's wrong...
What's going on with the tone of this article? One is almost led to believe that Prince took advantage of these poor girls. My personal opinion if it weren't for Prince I doubt very much that Appolonia or Vanity would had the opportunities that they did. If someone gives you a chance take it and run with it. As for Sheila E. very talented, a true star and that's obvious because she is very well respected in the music industry and works her butt off. I don't think she is crying over the career she has had and the fact that all you have to do is play a few bars of the "Glamorous life" and people still light up. Sheena Easton I own her albums she is good but seriously more of a pop singer. Her time came and went. Wendy and Lisa I am sure they have reason to feel jilted most members of successful bands feel that way when the band has disbanded but as with most genius' Prince became restless and wanted to grow and change his sound and I guess felt he couldn't do it with them. But who knows??? Maybe without Prince we wouldn't know their names at all. Seriously, Prince even worked with Wendy's twin sister Susannah Melvoin. If anything we could say that Prince perhaps is willing to give opportunities to many and some may not have the staying power needed. It is obvious the music industry is not an easy place to survive.
As for the comment about them being racially ambiguous; it seems that musicians sometimes like the ambiguity and record companies love it because it keeps the fans intrigued. Personally, it's good for there to be racial ambiguity because what does it really matter what you are if there's talent, there's talent. Plus musicians always seem to want an air of mystery; I wish some of the musicians/singers of today would keep some of their info a mystery.
And yes Prince is Jehovah's Witness not Seventh Day Adventist.
And what does this comment mean "Not one of the bunch is dark-skinned! I wonder why?"
I am sorry have you noticed the women in his band or the fact that he has worked with Nona Gaye, Mavis Staples and Chaka Khan (just to name a few) or does their skin tones not meet with your approval either?
Comments like that are so unnecessary! Go listen to "Controversy" circa 1981 then come talk to me.
Prince is not a Seventh-Day Adventist, but a Jehovah's Witness. Whatever happened to fact checking?
Not one of the bunch is dark-skinned! I wonder why?
Wasn't Prince not quite responsible for her career too?