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by BOMB Magazine onJanuary 6, 2010
In this 1995 interview culled from BOMB Magazine's digital archives, poet June Jordan talks about race in Los Angeles, crime television and how she ended up making an opera.
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by BOMB Magazine onJanuary 4, 2010
In this 2004 interview culled from BOMB Magazine’s Digital Archives, Haitian writer Evelyne Trouillot talks to Edwidge Danticat about Haiti’s complex history of violent political unrest.
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by BOMB Magazine onJanuary 2, 2010
In this 1994 interview culled from BOMB Magazine’s Digital Archives, performance artist and playwright Keith Antar Mason talks about black anger, pushing the envelope and why he’s not the Ice Cube of performance art.
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by BOMB Magazine onDecember 29, 2009
In this 2005 video interview culled from BOMB magazine’s digital archives, sculptor and children’s book author Lorenzo Pace talks about his great-grandfather's journey through slavery in the early 19th century
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by BOMB Magazine onDecember 15, 2009
Photographer Carrie Mae Weems talks about living and working in Rome, power and its consequences and why, even after Barack Obama's election, black folks continue to lead invisible lives.
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by BOMB Magazine onDecember 11, 2009
Controversial documentarian Camille Billops talks about making art, internalized racism in the black community and why she isn't sorry that she gave up her daughter for adoption.
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by BOMB Magazine onDecember 9, 2009
In this 2005 interview from the BOMB Digital Archive, British-Nigerian multimedia artist Yinka Shonibare MBE talks Trojan horses, bringing high culture to the street and wreaking havoc in the art world.
PLUS: Yinka Shonibare MBE’s career retrospective at the Smithsonian.
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by BOMB Magazine onDecember 7, 2009
Kara Walker talks about pickaninnies, Topsy, shame and how she’s dealt with the backlash from the black community.
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December 4, 2009
In addition to interviews between artists, BOMB Magazine has a long tradition of publishing new fiction and poetry by established and up-and-coming writers. BOMB Issue 105, Fall 2008 featured an excerpt from Jesmyn Ward's debut novel Where The Line Bleeds. This piece was part of BOMB's Fiction for Driving Across America series, in which authors read their work to be streamed or downloaded on BOMB Magazine’s website.
Set in Bois Sauvage, a small Creole town along the Gulf Coast where no one ever leaves and generations of residents stayed "like the oyster shell foundation upon which the county workers packed sand to pave the roads, the communities of Bois Sauvage, both black and white, embedded themselves in the red clay and stayed," Where The Line Bleeds follows twin brothers Josh and Christophe. At the beginning of this passage we meet the two as they sit on the scalding hot railing of a bridge, hours before they are set to graduate high school, contemplating whether they are too old to be seen jumping into the salty river for fun.
Read by Jesmyn Ward in her lilting, Mississippi Delta accent--she grew up in Mississippi and until recently, taught at the University of New Orleans—this story speaks beautifully to a raw, romantic, Southern sense of time, childhood, and fraternal love. Listen to the entire recording at BOMB or download a podcast here.
Listen to the full recording from BOMB Magazine Issue 105, Fall 2008.
Used with permission. All rights reserved. ã BOMB Magazine, New Art Publications, and its Contributors.
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December 3, 2009
A collection of art and interviews from famous black artists and thinkers through the decades, culled from the BOMB archives.
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