Keith Josef Adkins

Keith Josef Adkins is an award-winning playwright, screenwriter and social commentator.

About On The Dig

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

CAN'T GET ENOUGH?

THE BLOG FAMILY

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

NOVEMBER 30 | NBC Heroes Employee Says There's Too Much Diversity in Hollywood

NOVEMBER 29 | Black Conservative Doesn't Want Oprah to Interview Obama on Christmas

NOVEMBER 28 | Peru Apologizes for Mistreatment of Afro-Peruvians

One man's opinion on very nearly everything. It's hard but it's fair.

DECEMBER 2 | Ten Things You Could Learn from Tiger Woods

DECEMBER 2 | Aunt Jemima and Politics in Darktown

NOVEMBER 24 | Meet The Parents

Manners and mores in modern life? It's about way more than where the fork goes.

DECEMBER 3 | Desiree Rogers' Teachable Moment

NOVEMBER 28 | The Tipping Factor

NOVEMBER 24 | The Turkey Is The Least of It

From finance to foreclosures, layoffs and lack of opportunity, a daily journal of the economic crisis and its effect on black professionals.

NOVEMBER 27 | Making The Most With Less This Christmas

NOVEMBER 25 | Young, Black, and Out of Work

NOVEMBER 24 | Have Blacks Been Shafted By The Stimulus?

Smart, up to the minute takes on politics--from the state house to the White House. Pull up a chair.

FEBRUARY 23 | Social Networks and Saddam Hussein: A Private Matter?

JANUARY 21 | Hillary Clinton Stands Up For Internet Diplomacy

JANUARY 20 | SATISFACTION, PRIDE OR DELIRIUM?

Engaging commentary, interviews, and reviews that delve into and beyond the world of books. Get read.

NOVEMBER 25 | Conversation for the Dinner Table

NOVEMBER 19 | Reading List: The Poetry Edition

NOVEMBER 12 | Publishing with the Stars

A daily conversation on hot topic culture items. From Zora to Zane, True Blood to Tiny & Toya, TEWW covers high art, low-brow culture and everything in between.

MARCH 2 | The Best Gabourey Sidibe Interview So Far

FEBRUARY 17 | Would You Let Serena Williams Do Your Nails?

FEBRUARY 12 | John Mayer's Stupid Mouth

One woman's journey to shed 100 pounds in one year.

MARCH 19 | Michelle Obama, Home Cooking and Obesity

MARCH 18 | As a Victim of Sexual Abuse, Weight Loss Can Be Scary

MARCH 17 | An Inbox Full of Eating Triggers

KEITH JOSEF'S BLOG ROLL

    District 9 and the Nigerian Hustler

    District 9, one of the most anticipated alien flicks in decades, opened this weekend. And yes, I nearly went into cardiac arrest trying to find tickets and seats for Saturday.  Rest assured, I made it happen.  I love sci-fi films.  I particularly love sci-fi/alien films that make intriguing social commentary on humanity and the humans who, sometimes, give it a bad name.  District 9, in a nutshell, is a tale about a group of sickly aliens who park their mothership above Johannesburg, South Africa.  Malnourished and frightened, the aliens are transported by humans to a refugee camp in the city.  The South African people grow to hate the aliens.  They view the aliens as your classic intrusive urban pain in the arse.  As Root contributor Teresa Wiltz wonderfully describes in her District 9 review, the aliens evoke thoughts of Africans from the Middle Passage, Native American on the Trail of Tears, and the black townships of apartheid South Africa.

    Now let me get to the meat:  Nigerians are in the film too.  A group of Nigerians move into District 9 and set up a bartering system with the extraterrestrials.  The Nigerians provide cat food and fresh cow and/or pig heads for sustenance in exchange for alien weaponry.  The Nigerians also provide prostitution.  Yeah, District 9 goes there.  Unlike a few friends of mine, I thought the Nigerian component in the film was provocative.  In the film the South African government is trying exploit the aliens and their weaponry.  So why not the Nigerians?  What happened in Rwanda, Sudan, Congo and Somalia should be a clear indication that faulty humanity doesn't always come packaged in white.  However, some would argue that behind the crazy of most black African nations is the face of white colonialism and imperialism.  My point is that District 9 used an alien visitation to tell an honest story about how humans exploit the "other", and one another.  And, IMHO, exploitation is colorless.  I suggest everyone check out District 9 and let’s start talking.

    • Comments