Keith Josef Adkins

Keith Josef Adkins is an award-winning playwright, screenwriter and social commentator.

About On The Dig

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

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THE BLOG FAMILY

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

NOVEMBER 19 | Only the Super Negro Sells Movie Tix in Europe

NOVEMBER 18 | Sarah Palin Says Newsweek Photo Is Sexist

NOVEMBER 16 | Anthony Sowell's Victims: Drug Addicted, Expendable and Murdered

One man's opinion on very nearly everything. It's hard but it's fair.

NOVEMBER 16 | Heather Ellis: Not That Innocent

NOVEMBER 13 | College Education Is No Longer an Option ... Is It?

NOVEMBER 12 | Hasan: Who Shot Ya?

Manners and mores in modern life? It's about way more than where the fork goes.

NOVEMBER 17 | Close Encounters of the Celebrity Kind

NOVEMBER 9 | No Present Like The Time

NOVEMBER 3 | My Cheap Best Friend

From finance to foreclosures, layoffs and lack of opportunity, a daily journal of the economic crisis and its effect on black professionals.

NOVEMBER 19 | Should We Be More Afraid of Identity Theft?

NOVEMBER 18 | The Cost of Celebrity Isn't What It Used To Be

NOVEMBER 17 | Calls For Job Growth Grow Louder

Smart, up to the minute takes on politics--from the state house to the White House. Pull up a chair.

NOVEMBER 20 | Delaying Cancer Screenings May Not be Best Option for Black Women

NOVEMBER 16 | It'll Take More Than a Tantrum to Stop Gay Rights in D.C.

NOVEMBER 1 | First the Bill, Then the Work: Hate Crimes Legislation Passes

Engaging commentary, interviews, and reviews that delve into and beyond the world of books. Get read.

NOVEMBER 19 | Reading List: The Poetry Edition

NOVEMBER 12 | Publishing with the Stars

NOVEMBER 6 | Producing Precious

A daily conversation on hot topic culture items. From Zora to Zane, True Blood to Tiny & Toya, TEWW covers high art, low-brow culture and everything in between.

NOVEMBER 17 | Beyoncé's Video Ho, er, Phone

NOVEMBER 13 | Oprah to Robin Givens: "I apologize."

NOVEMBER 12 | Illiteracy Begins and Ends at Home

KEITH JOSEF'S BLOG ROLL

    Only the Super Negro Sells Movie Tix in Europe

    Arturo R. Garcia over at Racialicious brought something juicy to my attention.  He discovered the comedy Couples Retreat has opted for two promo posters. One for the American market, the other for the international market.  Couples Retreat stars Vince Vaughn, Jason Bateman, Kristin Davis and funny guy Faizon Love. However, if you're strolling the streets of London and stumble upon a poster for Couples Retreat, you will not, I repeat, will not see Faizon Love or his on-screen wife, Kali Hawk.  Why? It appears black folks don't sell well in the land on the other side of the pond. True? No. Actually, there's another way to look at it.  Blacks who don't achieve unwavering national appeal from Council Bluffs, Iowa to Laramie, Wyoming to Great Barrington, Massachusetts, and pull millions into the U.S. box office, don't sell well in foreign places.

    Last year, when my producer and I were taking meetings for my feature script a film exec told us "the success of indie films rely on international revenue." And international revenue is achieved with "a name that Europeans recognize." It was suggested, hypothetically, that we attach Will Smith or Morgan Freeman to our project. Otherwise, it's a real big gamble. So, it's not that blacks don't sell well.  It's just Super Negroes, like Will Smith, Morgan Freeman and maybe Samuel L. Jackson, who Americans brand "digestible and profitable," sell plenty. That's not racist. That's business.  No hate on Faizon Love, but I don't think he's recognizable in some black households.  In other words, Faizon has not been branded "Super Negro." Yet.

    Thoughts?

    Sarah Palin Says Newsweek Photo Is Sexist

    Sarah Palin is angry about the cover photo of her in Newsweek.  So she says. When she chose to pose for Runner's World in workout gear, pigtails, bare legs and a mid-zipped red top she allegedly had no idea what she was doing, or, that some other news magazine would use the photo.  Palin has this to say:

    "The out-of-context Newsweek approach is sexist and oh-so-expected by now. If anyone can learn anything from it: it shows why you shouldn't judge a book by its cover, gender, or color of skin. The media will do anything to draw attention -- even if out of context."

    Come on, it's not like she was posing in a thong, wrapped in the American flag and blowing kisses to Obama. She looks like the soccer moms she loves so much.  She looks like she's a busy soccer mom who also lives a double-life as a 40-something, in-shape, politician.  Anyway, didn't Palin compete in a few beauty contests? She won the Miss Wasilla pageant.  She also placed third in the 1984 Miss Alaska Pageant where she walked away with a scholarship and a Miss Congeniality award. In other words, Palin is no stranger to photo-posing talents and the advantages they can provide.  My brethren-blogger Ta-Nehisi Coates over at the Atlantic believes the photo is sexist and unwarranted:

    "I don't really understand how Sarah Palin, in running gear, conveys either the headline, or the two stories. (I read both.) I've been trying to decide where gender fits here--Would they have done this to, say, Dan Quayle? John Edwards? I don't think that's knowable. I do think that this photo, used in this context, objectifies Sarah Palin. I get why she's pissed off. It feels like a cheap-shot."

    Cheap shot? Maybe.  Newsweek could have alerted Palin about the photo before printing. Sexist? I guess it's all the eye of the beholder. Brilliant PR. opportunity? You betcha. Palin is no dummy: She's in this media/political game to play and reap the benefits.

    Anthony Sowell's Victims: Drug Addicted, Expendable and Murdered

    I was looking through the photos of Anthony Sowell's victims, and my heart dropped.  More than half of them were described as women with histories of drug and/or alcohol abuse. Nancy Cobbs, Tonia Carmichael, Janice Webb, all dead, all with histories of drug addiction.  I knew this, of course, but to revisit the information through a CBS photo slide show was unsettling.  Most of the victims' families didn't suspect any unusual behavior with the victims until two, three and 12 months later.  Man, I tell you.  It breaks my heart how we often throw away members of our community who suffer from drug abuse.  Don't get it wrong.  I understand the need to wipe the hands clean of the emotional strain that accompanies drug-addicted loved ones. You either kill yourself helping them or not.

    One of my cousins, a very intelligent, charismatic man, started to use cocaine at suburban parties and then ultimately became addicted to crack-cocaine and heroine in the inner-city.  The family did everything in its power to help him.  They provided money, food, lodging, prayer, bail, clothes, tough love, rehab, more money, more prayer.  But when the pattern of drug use and its nasty friend, the con, became intolerable, most family members closed their doors and decided to let him meet his fate, in the streets.  No one, of course, would imagine he would be brutally murdered.

    The issue with my cousin is certainly different than the victims of Cleveland.  He's a male, alive and rehabilitated.  The victims were unrehabilitated women lured to their deaths by a serial killer.  My point is one's life can't be structured around the drug-addicted.  I understand why families and friends break ties with them and leave them to the stress.  I guess it simply breaks my heart to know the drug-addicted can often become society's expendable citizen and there's nothing anyone can do.

    Brown Paper Bag: Blame Black Hollywood

    I wanted to throw my sixty cents into the Root's own Jada F. Smith's "color in black Hollywood" conversation.  As an active participant in the Hollywood game I'd like to bring attention to a few facts.  Smith feels the Lee Daniel's film Precious is a perfect template for the dysfunctional battle between good and evil, or should I say, lighter-skinned actors and darker-skinned actors in films and TV.  I'm assuming when Smith means "light-skinned" she means anyone as light or lighter than Halle Berry or Alicia Keyes.  In truth, Monique isn't necessarily a darker-skinned woman, but she is not as light as Halle.  I digress.  Smith has this to say about the color and the entertainment industry:

    "Most of the mainstream black entertainers are light-skinned because the Wannabes are still favored over the Jiggaboos. Chocolate folks don’t get much love, even when black people are producing the films and television roles."

    Well, I disagree, a bit.  When it comes to "white" Hollywood darker-skinned actors seem to get plenty of play.  Here's some recent examples.  Denzel Washington in The Taking of Pelham 123, Viola Davis in Doubt, Taraji Henson in The Curious Case of Benjamin Button, Rutina Wesley in True Blood, Don Cheadle in Traitor and the forthcoming Iron Man 2, Morgan Freeman in The Dark Knight and the forthcoming Invictus, Alfre Woodard in American Violet, etc etc.  And just for the record:  the school counselor in Sapphire's novel Push was a dark-skinned character.  Mister in the novel The Color Purple was a lighter-skinned character, the grandson of a white man.

    It's my opinion that black folks are regurgitating the color sickness in Hollywood.  I've seen lighter-skinned actors picked over darker ones.  True.  I've heard black executives insist that a darker-skinned actor, with more obvious west-African features, be overlooked for a part because of their "unattractiveness".  I've also seen talented lighter-skinned actors overlooked by darker-skinned black execs in some act of revenge or meanness.  On the flip side, my former boss, Mara Brock Akil, was relentless about casting black actors who represented every shade and complexion within the African diaspora.

    Honestly, this is an old converstion with no new solutions.  It appears to me that Hollywood (and the rest of the country) is populated by dozens of decision-making black folks who are knee-deep in colorism and they're not budging.  Why?  Maybe colorism in Hollywood is like cholestrol-heavy foods for some black folks.  They know its negative effects (and that it could even kill you), but they're addicted to the comfort.

    John Muhammad is Dead. American Violence is Not.

    John Allen Muhammad is dead.  It's been seven years since he and his 17-year-old accomplice, Lee Boyd Malvo, drove through Maryland, Virginia and D.C. shooting (and killing) innocent people.  Last night at 9:11 p.m. Muhammed, who still claimed his "innocence," was pronounced dead after lethal injection.  And honestly, I don't know what to feel.   I believe there are some people born with chemical and psychological imbalances and are, in a way, innocent in their lunacy.  I believe there are people who are a human manifestation of a society where the violent pursuit of oil, land, religious or politcal dominance, coal, and/or diamonds trumps human life 24/7.  In fact, one can't exist without the other.

    I believe the John Allen Muhammads and Timothy McVeighs of the world are horrid extensions of a capitalist society some of us thrive in and others, not so much.  But with that said, I still don't know what to feel.  I never lost a family member or friend to such a violent and random attack.   A part of me believes I would have stood among the dozens of surviving relatives anxious to see Muhammad grasp for his last breath.  Another part of me believes I would mourn the loss of my loved one in solitude, but wonder if lethal injections are simply Band-Aids on a much bigger problem.  A society unable to address and correct its violent streak.

    From where I sit here in Brooklyn, people are still trigger-happy.  Gun laws are becoming looser and looser.  Our youth thrive on blood-letting video games where the thrill is to kill "the innocent."  People beat each other in the heads with two by fours while others record the chaos on cellphones.

    John Allen Muhammad was killed through lethal injection for his crimes (and, in a way, to provide momentary relief for family), but what about this trigger-happy, blood-hungry nation we live in?  What are we going to do about that?

    Comedian Katt Williams Was Guest in Home. So What's Up With the Crowbar?

    Breaking news! Comedian Katt Williams did not break into the house. He was a guest. But I bet that perm had everything to do with him getting arrested.

    Katt Williams is in the hotseat, again.  Or should I say another Black man has a mug shot posted across the nation and all the trolls and race-haters are kicking back and grinning.  It's reported (I repeat "reported") that Katt broke into someone's Atlanta home with a crowbar and took $3555 worth of jewelry and collectible coins.  A crowbar, Katt?  Come on. Really?  I certainly don't want this to be true: I'm having a hard enough time convincing white folks I can sustain an intelligent thought for more than three seconds.  I don't need some comedian throwing salt on my hustle with some crazy about crowbars and collectible coins.

    See, this is why I have always had a lukewarm appreciation for Katt's humor.  I've never been into the "pimp" style he rocks.  One, the perm isn't always on point.  If you're going to look like a pimp the perm has to be on point.  I also can do without the relentless use of the "n-word".  Will someone tell this man that it's okay to ocassionaly use real conjuctions and adjectives and not worry about being white-washed?

    However, I have to shoot Katt a little love since he hails from my neck of the woods:  Ohio's southwest corner, i.e. the greater Cincinnati-Dayton-Springfield area.  Katt also bookends his standup with some of that "I'm a thinker and I believe there should be equality and decency throughout humanity, but I can't say that straight-out because I might be considered a punk" type of wisdom.  And I like that.  It's moving.  No, really.  It is.  Maybe what Dave Chappelle said on the Actors Studio was true. Black entertainers are running through the streets and losing their minds because the stress of Hollywood is too much.  I'll have to think about that one.  In the meantime, Free Katt Williams.

    Ft. Hood and Islamic Violence

    Major Nidal Malik Hasaan, a Palestinian-American and Muslim, allegedly screamed "Allahu Akbar" before his shooting rampage.  So it's no surprise that American Muslims and those who support them are concerned about a national backlash.  It's also no surprise that some folk don't like that other folk are ignoring the so-called Muslim-violence pattern taking place on American soil. Jeffrey Goldberg over at the Atlantic writes:

    "It seems, though, that when an American military officer who is a practicing Muslim allegedly shoots forty of his fellow soldiers who are about to deploy to the two wars the United States is currently fighting in Muslim countries, some broader meaning might, over time, be discerned, especially if the officer did, in fact, yell "Allahu Akbar" while murdering his fellow soldiers, as some soldiers say he did.  This is the second time this year American soldiers on American soil have been gunned down by a Muslim who was reportedly unhappy with America's wars in the Middle East (the first took place in Arkansas, to modest levels of notice). And, of course, this would not be the first instance of an American Muslim soldier killing fellow soldiers over his disagreements with American foreign policy; in 2003, Army Sgt. Hasan Akbar killed two officers and wounded fourteen others when he rolled a grenade into a tent in a homicidal protest against American policy.

    I am not arguing, of course, that American Muslims, as a whole, are violently unhappy with America (I've argued the opposite, in fact). But I do think that elite makers of opinion in this country try very hard to ignore the larger meaning of violent acts when they happen to be perpetrated by Muslims. Here's a simple test: If Nidal Malik Hasan had been a devout Christian with pronounced anti-abortion views, and had he attacked, say, a Planned Parenthood office, would his religion have been considered relevant as we tried to understand the motivation and meaning of the attack? Of course. Elite opinion makers do not, as a rule, try to protect Christians and Christian belief from investigation and criticism. Quite the opposite. It would be useful to apply the same standards of inquiry and criticism to all religions."

    I'm not sure I agree that the elite makers of opinion dismiss the opportunity to demonize Muslims and their so-called potential for violence against Americans.  Just run over to Fox News or tune into the Rush Limbaugh hour.  Heck, sit it on some of those Sunday church services in the heartland where the minister insists that if one isn't quoting the Bible then Islamic sin is surely tap-dancing in the soul.  I also don't agree that Christians are vilified in the same manner as Muslim when it comes to acts of violence against abortion clinics or pedestrians at the local mall.  Thoughts?

    Historical Tour Guide Forces Kids to Act like Slaves

    So the latest crazy out of Charlotte, N.C., involves an African-American tour guide at the historic Latta Plantation. Brother Ian Campbell forced three black children to act like cotton-picking slaves during a hands-on Civil War history lesson. Oh, I'm forgetting the important part: in front of their white classmates. Campbell allegedly supplied the captive black children bags for the cotton, you know, to provide an authentic flair.  Come on, how are you going to have an authentic reenactment of slavery without a bag of Old Man Cotton?  Of course, parents, teachers and even Charlotte's NAACP president Kojo Nantambu, are outraged.  However, Brother Campbell is sticking to his guns. He says:

    "I was trying to be historically correct not politically correct."

    What was Brother Campbell thinking? Everybody knows if you're going to force black children to dress up, act like or sound like an enslaved person from early American history then you must do the obvious.  Supply them with guns, ammunition, a map to Canada, a sack of money (that they earned but were never paid), a fleet of horses, and the bloody heart of the inhumane slaveholder who owned them.  Why?  So they can get the hell out of there!  Will somebody give Brother Ian Campbell my phone number so I can help? He's obviously living in a cloud of crazy down there at the Latta Plantation.

    Postracial America Needs a Secretary of Postracial Affairs

    One year ago today Barack Hussein Obama stepped in the presidential spotlight and extinguished racism forever, amen.  One year ago the memory of American slavery was erased, field hollers and spirituals were considered obscene, and white people stepped into the role of the new black—urban, hip and the only authentic interpreter of that old throwback called Pre-Barack Black. Oh, baby, I'm about to have some fun!  Today the New York Times published a hilarious essay by novelist Colson Whitehead about his imagined role as Secretary of Postracial Affairs. Here's a chunk of Colson's riff that had me choking:

    "Some changes will be minor. In television, “Diff’rent Strokes” and “What’s Happening!!” will now be known as “Different Strokes” and “What Is Happening?” Other changes will be more drastic. “Sanford and Son” trafficked in demeaning stereotypes. In these more enlightened times, everyone knows that one person’s “junk” is another’s compulsive eBay purchase. A more postracially robust version features Sanford père as the genius behind a community-based auction site, with his son, Lamont, the reluctant Webmaster. Think of the opportunities for fleet-footed banter and sophisticated, pun-based aperçus. Like “Frasier,” but postracial."

    If he'd let me, I'd work tirelessly as Colson's advisor to his Secretary of Postracial Affairs.  I would insist all black TV shows prior to Barack's Postracial America be recast and reshot with white actors.  Or, at least, have all the black actors voices dubbed with friendly white ones.  Yeah, that's better.  We can continue to see black (because black is often pleasing to the primal palette), but we don't have to hear black or any of its African-slavery-infused rhythms and cadences.  Come on, now you know that's a damn good idea.  I'd also insist, absolutely demand, that Colson reimagine Aunt Esther, from Sanford and Son, as a Buddhist-chanting, yoga-practicing, culinary chef who specializes in foods that lower cholesterol levels.  Someone please share this with Colson:  I'd be the best advisor a Secretary of Postracial Affairs ever imagined.

    Food Stamps and Black Pride

    The November issue of Archives of Pediatrics and Adolescent Medicine released harrowing findings from a 30-year study: 90 percent of African-American children will be on food stamps at some point. The recent recession could force those percentages higher.  AP medical reporter Lindsey Tanner digs a little deeper about the findings and reports:

    "The estimate comes from an analysis of 30 years of national data, and it bolsters other recent evidence on the pervasiveness of youngsters at economic risk. It suggests that almost everyone knows a family who has received food stamps, or will in the future, said lead author Mark Rank, a sociologist at Washington University in St. Louis."

    Those are crazy numbers. But I have to be honest: Food stamps become real appealing to adults when money is tight. In fact, a year after grad school, when the sizzling hot career was slow at getting started, a few friends and I decided to apply for food stamps to fill up the fridge for a month.  It helped, but the stress and humiliation we experienced at the Harlem food stamp center was too much for this well-raised, independent guy from Ohio. The workers were viciously condescending and rude. The other applicants were a combo of in-need mothers with children and psychotic crazies in need of a refill on the meds.  Not to mention those who were working the system like nobody's business.  I vowed never to need food stamps again.