Keith Josef Adkins

Keith Josef Adkins is an award-winning playwright, screenwriter and social commentator.

About On The Dig

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

CAN'T GET ENOUGH?

THE BLOG FAMILY

In-your-face observations of art, entertainment and the world at large from someone who cares. Can you handle the truth?

NOVEMBER 30 | NBC Heroes Employee Says There's Too Much Diversity in Hollywood

NOVEMBER 29 | Black Conservative Doesn't Want Oprah to Interview Obama on Christmas

NOVEMBER 28 | Peru Apologizes for Mistreatment of Afro-Peruvians

One man's opinion on very nearly everything. It's hard but it's fair.

DECEMBER 2 | Ten Things You Could Learn from Tiger Woods

DECEMBER 2 | Aunt Jemima and Politics in Darktown

NOVEMBER 24 | Meet The Parents

Manners and mores in modern life? It's about way more than where the fork goes.

DECEMBER 3 | Desiree Rogers' Teachable Moment

NOVEMBER 28 | The Tipping Factor

NOVEMBER 24 | The Turkey Is The Least of It

From finance to foreclosures, layoffs and lack of opportunity, a daily journal of the economic crisis and its effect on black professionals.

NOVEMBER 27 | Making The Most With Less This Christmas

NOVEMBER 25 | Young, Black, and Out of Work

NOVEMBER 24 | Have Blacks Been Shafted By The Stimulus?

Smart, up to the minute takes on politics--from the state house to the White House. Pull up a chair.

FEBRUARY 23 | Social Networks and Saddam Hussein: A Private Matter?

JANUARY 21 | Hillary Clinton Stands Up For Internet Diplomacy

JANUARY 20 | SATISFACTION, PRIDE OR DELIRIUM?

Engaging commentary, interviews, and reviews that delve into and beyond the world of books. Get read.

NOVEMBER 25 | Conversation for the Dinner Table

NOVEMBER 19 | Reading List: The Poetry Edition

NOVEMBER 12 | Publishing with the Stars

A daily conversation on hot topic culture items. From Zora to Zane, True Blood to Tiny & Toya, TEWW covers high art, low-brow culture and everything in between.

MARCH 2 | The Best Gabourey Sidibe Interview So Far

FEBRUARY 17 | Would You Let Serena Williams Do Your Nails?

FEBRUARY 12 | John Mayer's Stupid Mouth

KEITH JOSEF'S BLOG ROLL

    Young, Gifted and the Niece of Angela Davis

    Eisa Davis as herself. Linda Powell [background] as aunt Angela Davis.

    So there's this really interesting play happening in NYC right now.  Stay with me, folks.  I know most of you are not in NYC, but this is worth unearthing some lively discussion.  The play's called Angela's MixTape.  It's produced by New Georges and the Hip Hop Theater Festival.  Angela's MixTape is an autobiographical musical/poetic/comical/dramatic odyssey of the life of Angela Davis.  No, not the Afro wearing, falsely-accused George Jackson-advocate of the 1970s, but Angela Davis, the niece.

    Angela "Eisa" Davis grew up in Berkeley and Oakland, California.  She grew up with her activist-attorney mother Fania Davis and her activist-most-wanted-professor aunt Angela Davis. Yes, she was surrounded by socialist teachings, African-inspired spirituality, visits from Toni Morrison as well as macrobiotic cuisine and neighborly nudists.  Eisa, as she prefers to be called, was not always the ideal offspring in a family of women with uber-political and social- agendas.  In fact, Eisa fought hard to mold her own identity, despite her namesake.  She played classical piano, befriended non-black children and was obsessed with the music of her time [Prince, Public Enemy and early 90s British Imports].  And here's some real drama:  besides, being encouraged as a child to do dramatic readings from her legendary aunts' autobiography, Eisa had not read the book until she was an undergrad at Harvard.

    Angela's MixTape is a courageous piece of theater that doesn't necessarily poke holes in the legendary politics of Angela and her equally-dynamic sister Fania.  However, it dares to question if a community's need for equality often trumps the needs of the children.  Hey, this is not a new paradigm.  From Malcolm X to King, the children of icons have revealed plenty about their compromised parents.  So here's the question of the day:  should we have empathy for children who grew up in the Fight for Justice, but had their childhoods trumped by the bigger picture; or should we advise them to bite the bullet and point them to the future when equality will be paramount and no one will be compromised?

    Tags:
    • Comments