Richard Prince's popular column on the news media, published by the Maynard Institute for Journalism Education (www.mije.org).
FEBRUARY 2 | News of Don Cornelius' Death Goes Viral
JANUARY 31 | 5 More Latino Journalists Flown to Israel
JANUARY 28 | A 'Red Tail' Salutes the Black Press
FEBRUARY 3 | Michael Steele: Let GOP Voters Speak
FEBRUARY 1 | 4 Questions With Trade Rep Ron Kirk
JANUARY 30 | 'Hanging Out' With the President
A Belated Farewell to Painter Ernie Barnes
I couldn't sit with myself if I didn't offer an official farewell to painter Ernie Barnes. The prolific and talented painter passed away Monday. I don't know about you, but I grew up watching reruns of Good Times and gazing at the cover of Marvin Gaye's I Want You as my parents listened and grooved to the music. Barnes and his art were the main attraction for both. Although Good Times was a weekly presentation of theater-quality TV that examined social issues within the Black underlcass, it was Barnes' Sugar Shack painting in the closing credits that stuck to my soul. In a very sublte or maybe not-so-subtle way, Ernie Barnes' art asked me to study and observe "blackness" with a serious eye and heart. It was like he was saying, Yeah, this is TV and Hollywood is white and J.J. is funny, but I'm [Barnes] putting my mark on this to assure you we are real. Thanks, Ernie Barnes. I'm keeping you close!




















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