(The Root) — The Haitian Revolution lasted 13 years before the nation, known then as Saint-Domingue, gained independence from France and became the world’s first free black republic. It actually took two declarations to achieve that historic marker: Toussaint L’Ouverture led the island slave revolt to a short-lived victory over British and Spanish colonizers in 1801. By 1804 Jean-Jacques Dessalines had succeeded him and defeated French forces; he was the country’s first president.
For years, many in Hollywood have tried to make a dramatized version of the revolution and its iconic leader, L’Ouverture. None succeeded until Toussaint, a two-part television series that averaged 3 million viewers when it aired in February on the French network France 2. Directed by Philippe Niang, produced by Eloa Prod and starring Jimmy Jean-Louis as the title character, the film was shot in France and Martinique.
Since its premiere, Toussaint has been racking up awards. It won best narrative feature at the Pan African Film and Arts Festival in Los Angeles, where Jean-Louis also came away with the award for best actor. In addition, the film won best Diaspora feature at the Africa Movie Academy Awards, which is considered the African Oscars. (According to Jean-Louis, several other domestic film-festival organizers have inquired about screening Toussaint, but there were no specific details at press time.)
The Root recently caught up with Jean-Louis, who talked about the cultural significance of the film and the potential impact it can have for Haitians and just about anyone who appreciates history’s defining moments.
The Root: Toussaint is such a larger-than-life figure. Did you feel any pressure playing him?
JJL: I felt pressure all the time. First of all, it is Toussaint L’Ouverture. It is a movie that everybody has been talking about for many, many, many years. I am Haitian and I’ve been holding up the Haitian flag for many years.
You have all these things that are on your shoulders and remind you that you’d better do the best possible job. People are going to judge, people are going to be looking at you. They are going to point fingers, so you’d better be good. I was extremely aware of that. It’s hard; you’re playing the man who liberated the first black republic. That itself speaks loudly.
TR: The film gives you a glimpse of Toussaint’s relationship with other famous Haitian leaders, Jean-Jacques Dessalines and Henri Christophe. Each of them had different perspectives about the revolution and liberation. Can you talk about Toussaint’s perspective and what he was trying to do?