Tarantino Talks Sequel to 'Basterds' and 'Django'

The director tells our editor-in-chief about the idea for his next "resistance" film.

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Scene from Inglourious Basterds (Weinstein Co.); Quentin Tarantino (Getty); Jamie Foxx in Django Unchained (Weinstein Co.)

(The Root) -- If you thought Quentin Tarantino was done with historical revenge fantasies after Inglourious Basterds and his latest, Django Unchained -- a "postmodern, slave-narrative Western," in the words of The Root's editor-in-chief, Henry Louis Gates Jr. -- you'd be wrong.

The spaghetti Western-inspired Django Unchained, for which Tarantino won an Academy Award for best original screenplay on Sunday, depicts the horrors of slavery -- with graphic violence and racial slurs aplenty -- in the antebellum South. It tells the tale with the irreverence we've come to expect from a Tarantino film. Of course, the epic tale, about a slave-turned-bounty hunter (Jamie Foxx) on a mission to free his wife (Kerry Washington) from a brutal Mississippi cotton plantation with the help of his mentor (Christoph Waltz), has generated praise from black critics and intellectuals, as well as criticism. In an excerpt from a recent three-part, sweeping interview with The Root's resident scholar of the slave narrative, Tarantino details his idea for a Django-Inglourious Basterds trilogy.

Henry Louis Gates Jr.: You've targeted Nazis in Inglourious Basterds and slave owners in Django Unchained. What's next on the list of oppressors to off?

Quentin Tarantino: I don't know exactly when I'm going to do it, but there's something about this that would suggest a trilogy. My original idea for Inglourious Basterds way back when was that this [would be] a huge story that included the [smaller] story that you saw in the film, but also followed a bunch of black troops, and they had been f--ked over by the American military and kind of go apes--t. They basically -- the way Lt. Aldo Raines (Brad Pitt) and the Basterds are having an "Apache resistance" -- [the] black troops go on an Apache warpath and kill a bunch of white soldiers and white officers on a military base and are just making a warpath to Switzerland.

So that was always going to be part of it. And I was going to do it as a miniseries, and that was going to be one of the big storylines. When I decided to try to turn it into a movie, that was a section I had to take out to help tame my material. I have most of that written. It's ready to go; I just have to write the second half of it.

HLG: That might very well be the third of the trilogy.

QT: That would be the third of the trilogy. It would be [connected to] Inglourious Basterds, too, because "Inglourious Basterds" are in it, but it is about the soldiers. It would be called Killer Crow or something like that.

HLG: When would it be set?

QT: In '44. It would be after Normandy.

Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and the director of the W.E.B. Du Bois Institute for African and African-American Research at Harvard University. He is also the editor-in-chief of The Root.

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