When it was announced that entertainment’s “it” couple, Beyoncé Knowles-Carter and Jay Z, would be performing at the Grammys—the opening act, no less—I knew it wasn’t going to go well. They were undoubtedly going to perform their latest hit, “Drunk in Love,” an ode to liquor and the joys of marital sex, replete with raunchy innuendo. Everyone would tune in, and there would be a mega backlash.
There’s been a lot of fuss over the song. Over at the Huffington Post, Frances Cudjoe Waters took issue with Beyoncé’s admission that she’s a 32-year-old woman who drinks, but the song’s most troubling lyrics came during Jay Z’s guest verse. In response to his trash-talking wife, who is boasting of her sexual prowess, he slickly—or sickly, depending on your perspective—says, “I’m Ike Turner turn up/You know I don’t play/Now eat the cake, Anna Mae/Eat the cake Anna Mae/I’m nice.” Le scandal.
Jay Z’s allusion to the Tina Turner biopic What’s Love Got to Do With It—particularly the scene where Ike Turner (Laurence Fishburne) smashes a slice of cake into the face of wife Tina (Angela Bassett)—has been repeatedly (over) analyzed. It’s been called evidence that Bey and Jay Z condone domestic violence and proof of the couple’s insensitivity to Turner, with whom Beyoncé has performed in the past.
Because there have been so many essays taking Jay Z to task since Beyoncé’s album was released in December, I’m well-versed in the argument that his lyrics, joking or not, go too far. But the hype is just that.
Jay Z is in no way condoning domestic abuse on that verse. He’s drunk-talking—hence the song’s title—to his wife, who has been playfully trash-talking to him. By the middle of the verse, he, too, is talking trash about what he’s going to do to her sexually—and, most important, with her consent. I mean, she’s drunk-giggling in the background of the video as he talks drunk mess on a song called “Drunk in Love.” If his wife is fine with him talking about rough sex, what is the problem here?
Is an Ike Turner allusion the best choice? No. But in context, there’s nothing to see here, folks. Drunk married people are playfully saying drunk words to each other—he even says, “I’m nice,” i.e., drunk—right before they “surfboard.”
I know that drunk Beyoncé is a little jarring for some, but at 32, if she wants to get drunk and then be “filthy” with her husband, that’s her adult and wifely right to do so—and her prerogative to sing about it, even at the Grammys, because she’s a “Grown Woman.”
Over at Colorlines, Akiba Solomon seemed fine with all this but believed that Beyoncé should have stayed silent about that “eat the cake” line:
At least one radio station—in the U.K.—blurs out this part of the song because it’s a jokey joke reference to physical abuse. So last night when Jay got to the “eat the cake” line, I thought maybe Queen Bey would stay silent on it. Instead she puts bass in her voice and chants along with her husband, “Eat the cake Anna-Mae!”