Clarke Peters on Spike Lee’s Latest Joint

The actor discusses America's culture of victimization in the new film Red Hook Summer.

Variance Films
Variance Films

(The Root) — After playing methodical Baltimore detective Lester Freamon on HBO’s The Wire, actor Clarke Peters might surprise audiences in his latest role. As Bible-thumping Da Good Bishop Enoch Rouse in Spike Lee’s newest film,  Red Hook Summer, which opens in select theaters on Friday, Peters’ character wants to build a better relationship with his iPad-toting grandson Flick.

In the coming-of-age tale, the young boy has left his cushy, suburban Atlanta lifestyle for a few weeks in gritty Brooklyn, N.Y. The bishop tries to teach him a sense of responsibility and introduces him to the values of the good book. By the film’s end, it’s clear that the bishop is the one who really needs saving.

Despite the top billing in Red Hook Summer and the reprise of his role as ornery Mardi Gras Chief Albert Lambreaux in HBO’s upcoming season of Treme, Peters told The Root he misses playing Freamon and ambling around with his trademark bowed legs. Thanks to a recent double-knee replacement, his legs have been straightened out. “I thought that’d be a good thing, but you know what?” Peters says with a laugh. “I lost my swagger and I’m really depressed.” [Spoiler alert: a key plot development is discussed in the interview.]

The Root: Unlike many of your previous characters, would you say Bishop Enoch Rouse is less than likeable?

Clarke Peters: He’s not [likeable] but it’s necessary to hear his story. This male disease that permeates not only sports but politics, religion and schools is something we shouldn’t turn a blind eye to; everyone [involved in a molestation] situation is a victim. I imagine from the moment it happens to someone they become hardwired for that, and the addiction perpetuates itself.

We must find a way to stop it, and I don’t think the solution is locking up all of the perpetrators, because they’ve been victims, too. I’m only saying this having gone through Enoch’s journey but the medicine might just be a beatdown. The bishop is really out of my usual characters, who are mostly nice old men, but I’m happy to have done it because I’m an actor and actors need to stretch, not be pigeonholed.

TR: There is a scene with Bishop Enoch and a boy named Blessing Rowe that Spike Lee mentioned was particularly difficult for you to shoot. How did you get through it?