‘Black Folk Don’t’ Make Web Series?

The Root chats with Angela Tucker, creator of a satirical show about the diversity of black interests.

Courtesy of Angela Tucker
Courtesy of Angela Tucker

(The Root) — Have you ever been talking to someone about an activity you’re into and been told, “Black people don’t do that”? This common experience is the impetus for director-producer Angela Tucker’s popular Web series, Black Folk Don’t.

“Being a black person,” she told The Root, “everyone has heard something that black folk aren’t doing that they’re, in fact, doing. I’m someone that does a lot of things that [people are surprised] black people actually do.”

Tucker posed the question to her friends via email, “What are some of the things that Black folk don’t do?” and the barrage of passionate responses supported the idea that this was a provocative topic worth exploring. Tucker, an award-winning director-producer of Pushing the Elephant — a documentary about a Congolese mother and daughter separated for more than 12 years; and (A)sexual, a feature-length documentary about people who experience no sexual attraction — was inspired to develop her satirical documentary series, whose second season debuts on June 26.

The Root caught up with Tucker, who is currently co-producing The New Black, a feature-length documentary about the complicated histories of the African-American church and LGBT (lesbian, gay, bisexual and transgender) civil rights movements, which was honored with the Creative Promise Award at Tribeca All Access.

The Root: How did you come up with the concept of Black Folk Don’t?

Angela Tucker: National Black Programming Consortium was doing a call for a Web series. I hadn’t really thought about doing a Web series before, but I have always worked on projects on the Internet, so it is a space in which I’m comfortable. I thought to myself, “What would a documentary Web series be?”

When I was going over the idea in my head, I knew I wanted to do something that was a provocative question. I thought about what would make people tune in week after week. I wanted to do something that had humor and was also provocative, so the Black Folk Don’t [concept] popped in my head.

TR: What is it about the Web space that is conducive to the success of a series like Black Folk Don’t?