Black Filmmaker Wins Big With ‘Undefeated’

The Root talks to T.J. Martin, the first African American to win an Oscar for a full-length documentary.

With no film degree, director T.J. Martin wasn’t always confident that he would win an Academy Award. In fact, just the thought of being nominated for an Oscar came as a complete surprise. “I’m not used to people saying that; it doesn’t sound like they are talking about me,” he told The Root.

The Seattle native made history on Feb. 26 when he became the first African American to win an Oscar for a best documentary feature film, Undefeated. (Martin had a memorable moment during the ceremony when he dropped the f-bomb while accepting the award. He later apologized.) Martin co-directed the film with Dan Lindsay. The pair also shot and edited the film. Undefeated is a beautifully told story of underprivileged African-American football players from North Memphis, Tenn., and their white coach, Bill Courtney.

In a pre-Oscars interview with The Root, Martin describes the hardest part about being a director, what he has in common with the players in North Memphis and the lack of diversity in Hollywood.

The Root: The similarity that Undefeated shares with films like The Blind Side and Hardball is that a white coach is sort of the savior for African-American athletes. What do you say to the critics who disapprove of this pattern?

T.J. Martin: Some of those critics actually [have a point], and I think it is unfortunate that they don’t understand that — that’s not a critique of the movie, that’s a critique of the world of Hollywood. It’s really unfortunate that these are the only types of stories that we see.

I know for a fact that there are thousands of other individuals like Bill. Maybe it’s an all-Latino team with a Latino coach, or an all-African-American team with an African-American coach, that is doing the same exact things Bill did, but we are just not seeing those stories.

As Bill puts it, it’s completely circumstantial [that his] business happens to be in North Memphis, and Manassas High School happens to be right down the street from [his] business. [He] happens to be white, and they happen to be an all-African-American team. So if it wasn’t a big deal to our characters, then [there] was no need for us to make a big deal out of it. It was not a big deal to the community or the kids.

TR: As you previously stated, Hollywood only shows those kinds of tales. Why did you feel it was important to tell it again? What separates Undefeated from the other, similar stories?