We didn’t need the “S–t [Insert racial group here] Say” meme to recognize that Americans prefer laughing about race to talking about it. Even the phrase “That’s racist” has been stripped of its call-to-arms roots to become a sitcom punch line, an Internet meme and the name of a hipster hip-hop group (Das Racist).
A version of the phrase shows up in an ad for Key & Peele, a new Comedy Central sketch show starring biracial improv actors and comedy writers Keegan-Michael Key and Jordan Peele. “If you don’t watch, you’re racist,” the tagline reads under a photo of the smiling duo.
It’s a knowing wink to passersby, letting them know immediately that the show will tackle issues of race but that we’re all in on the joke. Key & Peele pulled in a record-breaking 2.1 million viewers when it debuted last Tuesday, the biggest Comedy Central launch since 2009. It seems like comedy has become a safe place to highlight instances of racism in everyday life.
While it remains to be seen whether Key & Peele will go on to fill the satirical race-comedy void that Chappelle’s Show left in Comedy Central’s programming, its existence points to an emerging trend in black comedy: accessibility. You don’t have to be black to laugh at the sketch of two men going to great lengths to call their wives “bitches” behind their backs before switching into dutiful hubby mode when the wives appear. Nor do you have to be black to think that Peele’s President Obama impersonation is the best in showbiz (or that Key’s role as Luther, the president’s “anger translator,” is a stroke of comedic genius).
“When we write, we say, ‘This is a really funny premise, it’s pretty universal; we just happen to have melanin in our skin,’ ” Key says.
“Today it’s a little bit harder to break out as a black comedian if you don’t have more universal material,” says Issa Rae, better known as J from the popular Web comedy series The Misadventures of Awkward Black Girl. “Race relations in stand-up have been done and redone countless times.”
Black comedy today deals with race relations with more intelligence, says Comedy Hall of Fame comedian and historian Darryl Littleton, who wrote Black Comedians on Black Comedy: How African-Americans Taught Us How to Laugh. Building on the political humor of comic greats like Richard Pryor, Dick Gregory and Paul Mooney, new comedians “are using satire to make fun of that stuff instead of hitting you over the head and saying, ‘That’s wrong.’