The Root Interview: Judith Jamison on Leaving Alvin Ailey

After 21 years with the Alvin Ailey American Dance Theater, renowned director Judith Jamison is saying farewell. She spoke to The Root about some of her greatest moments, challenges and accomplishments.

Judith Jamison (Andrew Eccles)

Judith Jamison has an awful lot of which to be proud. Under her leadership, begun in 1989 after the death of choreographer Alvin Ailey, the Alvin Ailey American Dance Theater has become one of the most popular and distinguished dance companies in the world. It has performed for more than 23 million people in 48 states and in 71 countries on six continents, including two historic residencies in South Africa. In 2003 it opened the $50 million Joan Weill Center for Dance, the nation's largest building dedicated to dance. She has been awarded the National Medal of Honor, named to Time magazine's 2009 list of the world's 100 most influential people and received the 2010 Congressional Black Caucus Foundation's prestigious Phoenix Award, among many other honors.

In July she steps down as artistic director, handing the reins to choreographer Robert Battle, whom she selected as her successor. But she will not disappear quietly. On Jan. 2 the company held a joyous farewell program for her, with more than 10 works performed by current and past members. And in the next months, she will accompany the troupe on a 24-city tour, starting with a stint at the Kennedy Center from Feb. 1 to 6, to introduce Battle to audiences around the country.

The Root caught up with Jamison on New Year's Day, a day before the farewell program, as she recuperated from a cold.

The Root: What have been your greatest moments as director?

Judith Jamison: Watching my dancers grow. I felt it was my whole purpose to help them develop as artists. It thrilled me to see them change and become incredible performers before my very eyes. It fills my heart to see them transformed onstage. They work so long and hard to achieve that. It's a very intimate experience to witness, like watching your child grow up. 

TR: What did it feel like to take on this responsibility after Alvin passed?

JJ: There wasn't any time to think, really. There was so much to do. I just put my head down and went.

TR: What helped you through?

JJ: Although I wasn't aware of it then, I think my training as a dancer. Somehow it was innate in me. Running the company didn't seem foreign. Part of that again had to do with people around me, the staff and dancers. And some of it had to do with Alvin. He was so grounded -- things flowed naturally from him. We flowed from that. And then, of course, my faith.

TR: What do you consider your greatest accomplishments?