Temperatures scorching into the ’90s, humidity so thick you could slice it and the looming threat of thunderstorms are all typical for a midsummer July day in Atlanta. When the rain fell this past weekend, the National Black Arts Festival (NBAF) continued, undeterred in its celebration of African diaspora art and culture.
As I strolled into Centennial Olympic Park on the third day of the five-day festival, it was so hot I wanted to join the children splashing through fountains, but instead I opted for exploring one of my favorite parts of the festival: the International Marketplace. Throughout the festival, vendors from around the world set up shop to showcase everything from sculptures and paintings to handcrafted jewelry, clothing, books and more. They lured folks in with their awesome displays, many with racks of colorful Afrocentric clothing or intricately framed artwork overflowing from their booths. I was easily reeled in by the sweet smell of aromatherapy and the invitation to have my hands treated to a body scrub by a proud mother helping her daughter push her new skin-care line, Born in Brooklyn Skincare.
Although I was rolling solo, the mom in me had to walk through the Children’s Educational Village, always a big draw for the festival. This year the exhibit featured the multimedia project Growing the Dream, boasting a child-size replica of Martin Luther King Jr.’s boyhood home — a big hit with the kids buzzing around their dedicated area, complete with craft tables and interactive learning activities.
The grills were also going at the park with what else but Southern cuisine monopolizing the menu. When the sun got to be too much, I sought shelter in the Publix Healthy Cooking Pavilion, where Shelley Chapman from Naturi Beauty was teaching the crowd how to whip up jerk salmon cakes, creamy callaloo polenta and tomato-avocado salad. Two words: simply delicious.
This was the second year the NBAF was streamlined into five days, cut back considerably from its former two-week-plus schedule. The first NBAF took place in 1988, after the Fulton County Arts Council commissioned a study to explore the possibilities of creating a festival to showcase the work of artists of African descent. Twenty-two years later, the NBAF is still one of the most celebrated festivals of its kind, drawing in thousands annually from around the globe.
In addition to the modified schedule, the festival is under a new regime after the reigning executive director and founding artistic director, Stephanie Hughley, resigned in 2009. That May, the NBAF board of directors appointed Neil A. Barclay the new CEO and executive producer.
Inevitably, with new leadership comes change, change that includes adding a social media component to the festival via Facebook, Twitter, blogs and live streaming of events.