Kanye, New Slaves, Kim, College Dropout, and Kill Bill

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Image courtesy of okayplayer.com

Damon Young writes:

With Kill Bill Volume 2, though, I had absolutely no idea what I was going to see. Yes, I knew Beatrix would find a way to kill Bill at the end of the movie, but would Elle Driver and Budd be given the same type of anime-intro O-Ren received? Which genre would Tarantino lean on more? Spaghetti Western? Blaxploitation? Samurai? Would the scenes follow a chronological order? How much would be shown in black and white?

As I’ve mentioned before, this same type of imperviousness to prediction is (to me) the most notable aspect of Kanye West’s talent, the most literal manifestation of his (depending on who you ask) genius, madness, or wackness. I can’t think of any other hip-hop artist who consistently defies expectations this way. I mean, when you hear that Jay-Z or Ghostface or Drake or whomever is releasing a new album, before you even hear it, anyone familiar with their work is going to have an idea of what it’s going to sound like. The only question is whether or not it’s going to be any good. But, trying to predict how a Kanye West album is going to sound is like trying to imagine how the air tastes on Jupiter. I think that people who anticipate his albums the way I do are compelled by this volatility, while the people who can’t stand him and/or find him inauthentic are annoyed by it.

Read more at Very Smart Brothas.